Silence is a synesthetic sense —
she synanaesthetizes us
into that soundless spaceless nearly analgesic place
where the static of the beating of
the heart rises and falls
and falls
and falls
and falls where things grow (in the place where nothing grows),
from rock bottom she found a way to grow,
like creeping thyme in sidewalk cracks
she, creeping, with time, grows —
she, in the flowers that we sow
every
fall all over again
every fall
I fall
all over again
will I one day grow as satin
as tear-watered and sweet-nectared and bridal?
it is winter and I —
I see you in the darker color of dark
before it hides outside my helpless vision
in a ghostly game of tag;
you are the trailing shadow of a still unrealized premonition.
I see you in the shadow cast by tomorrow’s unbegun light;
I see you in vision (I see you in light)
in blind sleep and in reckless R.E.M.,
you are my slow waves and my fast —
You are the force that unincited,
animates blind eyes in blinder sleep
You are the waves that ripple grass
in wind and in the still
still
and still
the still thawed earth now teems with thyme, with creep, with
every living thing that seeks, unseeing, to be seen —
shrinking-away is a reflex:
it is the squirm; it is the warmth of life that haunts me —
every uninvited force.
Breathing your breath, I call on you —
my ancestor,
my shadow
my uninvited and
my always-here (who left long ago);
quiet
the static heart and still the pleural wind
but then, the voice in the voiceless place:
I am your quiet but
you are my loud
be careful, child:
if you go
chasing the spaceless too long
you will
one day
catch up
Ali Lang is a junior studying psychology and philosophy. She is interested in the ways we represent, remember, and relate to one another.